Hurt!: Page 1, Comic Book Script

Now we start on the comic book!

HURT! Issue 1

PAGE ONE: (3 panels)

Panel 1. Long shot of Cape Town, from a vantage point somewhere in the middle of table bay centered around Table Mountain. It is a clear night and the starry sky is dotted with fireworks.

CAPTION/RICHARD HURT: "Beautiful sky tonight..."

Panel 2. Much closer in now, focusing on the exterior of a mansion. There's a party going on in the garden. Tables decked with food surround a bunch of mingling well dressed guests. A good time is being had by all.

CAPTION/RICHARD HURT: "If anyone asked I'd say 'I've had a wonderful day..."

Panel 3. Repeat of Panel 2, but the party is interrupted by a vaguely human shape dropping from the sky at high speed and crashing right into one of the food tables. Looks of surprise dominate the faces of the stunned guests who turn to look at the commotion.

CAPTION/RICHARD HURT: "'... but this day wasn't it.'"

Page 1:
Planning
Thumbnail
Pencils (coming soon)

Page 2:
Script (coming soon)

Computer Coloured Comic Book Art: "No Pain, No Gain"

Busy polishing up the script for the first comic book and that will be up soon. (edit: It's up now, have a look!) In the mean time here is the finished "No Pain, No Gain" art that I've been building up to in the last few posts. For those interested, I use Adobe Photoshop and a mouse to do the colouring. I may do a tutorial on my method one of these days if there is an interest.

Have a look at the pencil and ink artwork that led up to this image. Lots more of my artwork at my company's website.

Inked Comic Book Art: "No Pain, No Gain"

In my first post I uploaded the clean pencil version of this art and now we have the inked one ready for colouring. Comic book style inking is a very tricky craft, even if it does appear to be nothing more than tracing. It takes a lot of patience and a sure hand because the mistakes are a lot more tricky to fix up than with pencil. Being liquid, ink is also a little more tricky to control than the powdery graphite residue of a pencil. You need to be precise with it and move quickly and fluidly to avoid blots and bleeds.

In general there are 2 commonly used approaches to inking in the comic book industry. First is to ink right over the original pencil artwork and then erase the remaining graphite from the page, and the second is to do the ink on a separate overlay, which is either tracing paper or a normal sheet, in which case you need a light box to allow you to see through it. I use a 3rd option as neither of those appeal to me. I treasure my pencil art and don't want ink to ruin it should I make a mistake, and I find it painful keeping an overlay in just the right position for the several hours that it takes to complete an inking project, especially because I do my artwork in sessions in between my other responsibilities as a business owner. What I do is to scan the original pencil artwork and using Adobe Photoshop make a cyan trace template by playing with the channels. I print this "blue plate" and do my inking on that sheet. When it's done I scan that in in RGB and convert the Blue channel to greyscale which after adjusting levels leaves the clean result you see above.

Have a look at the original pencil artwork , and the colourised version.

Pencilled Comic Book Art: "No Pain, No Gain"

Okay, let's get it started! I have begun work on the script for the first comic we'll be publishing on this blog, provisionally entitled "Hurt!: Friends and Lovers" a superhero story set in South Africa with a more mature twist. In the mean time I'm going to be uploading some comic book style artwork that may or may not be tied to the story itself. Above is clean pencil artwork for a piece entitled "No Pain - No Gain", at the time of writing this I am busy inking this very drawing and it will be up soon. The piece is an illustration in the comic book style for an article drawing parallels between marketing and physical fitness that will appear on my business's website www.drawingconclusions.co.za

Have a look at the inked version, and the final colourised version.